Archive for the ‘My Stories’ Category

Wandering For Ten Years

January 15, 2020

That Was The Year That Was

January 13th of 2010 saw my first Wednesday Wanderings post.

A decade.  Ten years.  Fifty-two weeks a year.  And I haven’t missed once.  I think that makes for 520 essays, plus this one today.

Sometimes, like today, the post has been relatively short.

Other times, the posts have been long essays, often on writing. Some of these became Wanderings on Writing, one of the few books on writing that focuses on the unique concerns encountered by a working writer of science fiction and fantasy.

Other times these Wanderings have been about life, or new releases, or trips.

There was that time we saw a camel in someone’s yard…

For seven years, I also wrote the Thursday Tangents, which my friend, Alan Robson of New Zealand.  You can download some of these as a free e-book here.

A bit over five years ago, I started the Friday Fragments, which gives you a glimpse into my reading habits and provides you with the opportunity to influence them.

I’m always open to suggestions as to possible topics for these Wanderings.  Please feel free to make suggestions for the year to come.

Lots of things have changed in these last ten years.  One thing hasn’t.  I’m still a writer.  And now I’m off to write.

Projects Update: Wolf’s Soul and Others

January 8, 2020

Kel’s On Top Of 2020

About this time last year, I wrote a comprehensive update about what I was working on and what could be expected in the year to come.  Seems like a good time to do the same thing again…

As promised, 2019 saw the release of Wolf’s Search, the seventh book in the Firekeeper Saga and the first new book in the series in about a decade.  2020 will see the release of Wolf’s Soul, the second part of the story.  The manuscript is written, polished, and I’m getting feedback from my secret beta readers.  After that’s in, I’ll give the manuscript a review, send the manuscript to my copyeditor, and shift into production.  If all goes well, the book should be available to you in just a few months.

I don’t plan to delay the release of Wolf’s Soul for promotional hype, gathering pre-orders, or the like.  The first announcement of availability will be via my newsletter.  Then I’ll mention it here, as well as on my social media.

Another almost completed project are{is} three new e-book versions of the “Breaking the Wall” novels (Thirteen Orphans, Nine Gates, and Five Odd Honors).  Each e-book will have new cover art by Jane Noel.  There will also be extra content in the form of essays about how the idea for the series evolved, as well as quite a lot about how elements of mah-jong played a role in the development of the magic system.   We’re working on cover art and design, then they’ll be ready to go.  Again, the first announcement will be on my newsletter, but I’ll mention it here as well.

If you’re not into e-books, I still have copies of the hardcover print editions available at my newly revamped website bookshop.

Contracts have been signed for three new novels in the “Star Kingdom” (aka “Stephanie Harrington”) series that I have been writing with my long-time friend, David Weber.  The series to this point consists of A Beautiful Friendship, Fire Season, and Treecat Wars.  These books are prequels to the “Honor Harrington” novels and, unlike those, take place mostly planetside.  For this reason, there’s a lot more about the treecats, their home lives, and culture.  We’ve started writing the first (yet untitled) book in this new series, and writing this will be my first focus in 2020.

I also have some short fiction forthcoming, including “The Problem With Magic Rings” in DreamForge and “The Greatest Jewel” in a Masters of Orion anthology.  And, yes, I’m continuing to work with DreamForge magazine, which has just completed its fourth issue and first year!

It’s possible that other books in my backlist will be made available as new e-books.  Whether that happens will be a question of time and energy.  I wouldn’t have been able to do what I have with the “Breaking the Wall” books without the help of my husband, Jim, artist Jane Noel, and frequent proofreader, Paul Dellinger.

I’d like to write more short fiction, and may well do so.  There’s also a 150,000 word rough draft manuscript that I’m hoping to get back to and expand, probably into two books.  I’d like to start with that before the year is over.  We’ll see if that’s a bit optimistic on my part…

So, another busy year with many new stories being written.  Any questions?

A Vision of…

December 18, 2019

Kel has Christmas Dreams

‘Tis the week before Christmas, and all through the house,

All the creatures are stirring, including the compost bin mouse.

The cats are nestled, snug on our bed,

While visions of catnip toys dance in their heads.

Jim in his cowboy hat, and me in my cap,

Aren’t able to settle for any sort of nap…

Everywhere there is such a clatter,

I find myself wondering what is the matter.

*

I could go on, but I’ll spare you.

Christmas is a week away.  If you’re like most modern American adults, you’re feeling stressed, rather than merry.

(I don’t know how other nations celebrate these days.  Feel free to let me know.)

Daily, my e-mail and social media remind me how little time is left to buy things.  Buying gifts is apparently not enough.  On one passing feed, a woman extolled the joys of elaborate wrapping, adding how the “package embellishment” would serve as an additional gift.  Wow!  Jim and I are lucky if we manage to get the wrapping paper more or less straight.

Hey, I like Yuletide celebrations.   Jim and I don’t have kids, but we still decorate.  We make seven or eight types of cookies.  We provide gifts for both family far, and friends near.

I’ll admit, there are times I feel more like the Grinch than like Santa, especially because, being self-employed, I don’t get any paid time off.  I’m squeezing my holiday preparations in between keeping ahead of my various tasks.

So, what to do?

For me, surviving holiday stress always goes back to counting my blessings.  Here’s one.  I can make seven or eight types of cookies, even the ones with expensive ingredients like nuts.  I remember when I’d stretch the budget so I could make my family’s recipe of butterballs using real butter (not margarine) and walnuts.  I’d look longingly at some of the other recipes and think “someday.”

And, guess what?  It’s someday.  Not only did I make the butterballs with butter, I used butter for all my cookies. I made maple pecan cookies and hermits, both of which call for nuts.  It’s someday.

Today is your someday, too, even if this year hasn’t turned out quite as you dreamed.  Why?  Because we all dream bigger than it is possible to achieve.  That’s what dreams are about, envisioning big.

Nightmares, by contrast, are about envisioning small.  The monsters under the bed make you afraid to get up.  The lost boarding pass keeps you from making your flight.  The thing you can’t quite see that is chasing you keeps you from stopping, relaxing, assessing…

I’m sure many of you are having a rough time, feeling small, feeling stressed, maybe feeling sick or tired or something else that’s making all the sparkle dim, all the jingle dull.

Dream.  Not just “I hope 2020 is better than 2019,” but about what you might do today, tomorrow, next week…

Remembering to dream big is why, no matter how busy my life is with the holiday season adding numerous new tasks to my day I’m making time to read.  On the top of my list is the new DreamForge magazine.  I’ve only dipped in, but I see that the theme for this month is “The Risks and Magic of Hope.”

Hey, that’s cool.  That sounds like the sort of stories I want to read, the sort of stories I want to write.  Suddenly, I can feel my personal winter solstice happening: the sun is warming, hope is born.

May you find a blessing or dream, no matter how small, and use it to kindle your holiday fire.

Endings Are Hard

December 11, 2019

Dandy and Coco’s Beautiful Endings

Last week, I finished making Jim’s corrections to Wolf’s Soul, then sent the manuscript off to my secret beta readers.  When I told a friend this, she said, “You must feel really good to have reached this point.”

I sighed and shook my head.  “Actually, after seeing all the typos Jim found in a manuscript I thought was clean, I’m beginning to feel as if this book is a mess.  Actually, I’m relieved he didn’t find many continuity issues, but I still am more apprehensive than relieved.”

As the year ends, a lot of writers are trying to finish off projects before the holiday season interrupts creative momentum.  On top of NaNoWriMo, which emphasizes speed of composition rather than quality on content, many writers end up feeling conflicted.  After all, you’ve written the first eighty or ninety percent of the story.  Surely the momentum is there.  How can wrapping up the plot take so much effort?

I’m here to tell you: Endings Are Hard.  Here are a few thoughts I’ve had over the years about why this is so.

So often one hears: “I had a great idea for my story, but now I don’t seem to be able to finish it.”  When you’re stuck about how to end your story, go back to that first idea.  What was it?  Have you addressed the questions that first got you fascinated?

My novel Through Wolf’s Eyes began with two questions.  One was plot-oriented.  Who would be King Tedric of Hawk Haven’s successor?  The second was thematic:  How would moving from human to wolf society effect Firekeeper?  Until both were answered, the story could not end.

Remembering your initial impulse works to keep you focused on your ending, whether you outline or, like me, are an intuitive plotter.  A short note – sometimes as little as one word – can keep you on track when you start to wander off target.  Get in the habit of writing this down at the very start so you can refer back when you get bogged down.

Can’t figure out what that initial impulse was?  It’s possible you started off without enough thought.  As Euripides said: “A bad beginning makes a bad ending” (Euripides, Aeolus).  Either you need to figure out what you meant this story to be about or you need to scrap it as a bad beginning that isn’t going anywhere.

Don’t be discouraged that you can’t find your ending.  You’re not alone.  Author John Galsworthy said, “The beginnings and endings of all human undertakings are untidy, the building of a house, the writing of a novel, the demolition of a bridge, and, eminently, the finish of a voyage” (Over the River).

Middles have their relationship to the end, too.  Author Walter Jon Williams has a good comment on taking ending into middles: “Inspiration will carry you through the first 100 pages.  After that, you need a plan.”  Walter has sometimes jokingly referred to the middle of a novel as “the fiddly middle bits.”  Remember, though, there’s no such thing as “fiddly.”  Every scene should move you along toward your end.

Again, the beginning – that inspiration – should be your guide.  You may find it difficult to end your piece if you introduced too many subplots or extra characters, just to move the book along.   How much research is too much?  Simply put, if you’re more captivated by researching than by the actual writing, it’s probably too much.  Another guideline is when you find yourself putting your research in because “I did it, so by God they’re going to read it!”

There different types of endings.  Which one is yours?

Conclusion vs. Closure or “Only English Professors love stories with inconclusive conclusions.”  This was one of my own first lessons, and I will be eternally grateful to my then editor John Douglas at Avon Books for teaching it to me.

The Cliffhanger?  This type of ending is chancy – especially if your audience is going to need to wait a long period of time for the next installment.  Even books in a series need some sort of closure.

When do you Need an Epilogue?  My opinion is rarely.  One of the pleasures of a story for a reader is speculating on what might happen in the on-going lives of the characters.  An epilogue can make the story die.  However, a good epilogue can remind the reader that the characters went on after the concluding battle.

Ending a short story presents its own problems.  A short story must be easier, right?  After all, there are fewer pages.  Actually, it’s not easier because so much needs to be packed into a few pages.  Roger Zelazny (who won a lot of awards for short fiction) said a short story should feel like the last part of a novel – give the feeling for what came before but focus on those final moments.

In other words, a good short story is one big Ending…

A few ending words on Endings…  It is my firm feeling that the story must end – and this applies even if that story is part of a series.  Writing a series that keeps postponing the ending is one reason why so many series are unsatisfactory or become weaker as they go on.

A strong ending is necessary for a book to be satisfying.  Many times I’ve read a book with a strong start only to be disappointed by the conclusion.  Conversely, I’ve read several so-so books that have risen in my estimation by having a solid ending that makes the rest of the book fall into place.  A strong ending does not necessarily need to be shocking or have a “twist.”  Indeed, an ending that “comes from nowhere” can be a huge turnoff.

Thinking back, I realize I was hard on myself when I told my friend I didn’t feel “relieved” to have finished Wolf’s Soul.  My apprehensions belonged to the “production” side of the process, not the creative side.  Creatively, I’m pretty pleased about the book…  Of course I have questions as to whether I communicated what I was trying to communicate, but that’s what editors are for!

Didn’t Say That

November 20, 2019

Where Wolves, Cats, and Guinea Pigs Run Wild

The freebee advertisement magazine that shows up in our mailbox once a month contains a small amount of non-advertising content between the ads.  I always read the Albuquerque area gardening column, often skim through others.

A while back, while skimming a column that contains quotes connected by a theme (ex. Friendship, Wisdom, Joy), I saw one credited to Charles de Lint.  My initial pleasure turned into musing when I recognized the quote as from one of his stories.  In other words, Charles de Lint didn’t say that, his character did.

This may seem a fine point, suitable only for English majors and other content nerds, but it continued to haunt me long after the magazine went into the recycling.  In that particular case, the quote was probably pretty much in line with Charles de Lint’s own philosophical position.  (I do know him, and so am speaking from at least a moderately informed position.)

However, what if the quote had been from one of the antagonists in the same novel?  Crediting that quote to Charles de Lint would have been accurate on the same grounds the first quote was while, at the same time, doing de Lint a great injustice.

Think I’m obsessing?  Try this one on for size.

“My Precious.  My Precious.”  J.R.R. Tolkien.

I’ve met writers whose signature characters are incredibly wise, astonishingly competent, well-organized people but who, in their personal lives, make unwise choices, are unable to find their way in an unfamiliar environment, and whose offices look as if they’ve been repeatedly hit by whirlwinds.

Another common source of awkwardness is when the author is assumed to share the tastes and/or habits of a character.  I’ve lost count of the number of readers who are astonished to learn that not only don’t I have a wolf or wolf-like dog, I have never owned a dog, nor do I ever plan to do so.  Cats and guinea pigs are my non-human co-residents of choice.

Author/character identification can get awkward when a story touches on uncomfortable topics.  After The Dragon of Despair was released, I received an e-mail in which a reader lambasted me for being a child abuser, because of what happens to Citrine Shield in that novel.  Anticipating my response that Melina Shield is responsible for what Citrine goes through, the writer of that e-mail said (I paraphrase), “And don’t say Melina did it, because you created her and you did it.”

Wow! Apparently, the fact that I also created the people who rescued Citrine, as well as Citrine herself, meant nothing.  Because I could envision a horrible situation, I must be capable of committing such atrocities and of deliberately tormenting a child.  (Never mind that the child existed in a fictional universe, while I live in our consensual reality.)

Getting the author and characters tangled up increases with the attachment people feel to a book.  I’ve repeatedly had to inform astonished fans of Roger Zelazny’s Lord of Light that he was not a practitioner of any form of Buddhism.   After all, he smoked and his characters smoked, so if one of his protagonists is Buddhist, he must have been Buddhist.  (As an aside, whether Sam was Buddhist or his world’s Buddha, or simply running a scam, is a question the novel leaves open to debate).

It seems that the closer a topic is to the emotional, psychological landscape, the more it is assumed, for good or ill, that this reflects the author’s personal views.  Therefore, a writer of Military or Espionage fiction can never have served in the military or been a spy.  Writers of alternate history do not need not to have lived in pre-Republic Rome or in Hitler’s Germany.  Writers of fairy tales do not need to have cut off the head of a horse to release a prince trapped inside.

But write about being depressed.  Write about a death in the family.  Write about a religious belief.  Suddenly,  it’s assumed that the author is writing autobiography.  In this day of social media—where readers may know more about the author’s personal life or experiences—the urge to read biography into the fiction has risen.  However, it’s always been there.

Write what you know involves research, but it also involves empathy.  Sometimes it involves delving into something that horrifies the writer, rather than what attracts.

Well, I’m off to draw up some notes for a novel in which one of my protagonists is a sixteen-year-old girl (which I was) and another is a treecat (which I never was).  Let’s complicate that matter by noting that said sixteen-year-old girl (Stephanie Harrington) was convincingly created by a man (David Weber) who had never been a girl of any age.  At the time the original Stephanie Harrington story was written, he wasn’t a father of a girl that age, so he couldn’t be said to be drawing on his parenting experience.

“I’m sorry, too.  Even my best words are not enough.”  Firekeeper, Wolf’s Search, by Jane Lindskold.

As Green Leaves Fall

November 13, 2019

Autumn Has Arrived!

Although the ash tree in our front yard changes color, one of the weirdest things about autumn in New Mexico is how many trees shed green leaves.  Imprinting as I did on autumns where leaves turned red or yellow, sometimes brown, then dropped off the trees, walking through my yard and scuffing my feet through green leaves still feels subtly wrong, even after more years in New Mexico than I lived in D.C.

Many of the leaves that stay green are from trees that are not native.  Mulberries, in particular, tend to drop massive quantities of dark green leaves, often within a few hours.  Native plants, by contrast, tend to go brown, then quietly lose leaves a few at a time.

At this moment, we’re pretty much done with our garden.  We have a few determined radishes, which we’ve framed with bricks to help retain some daytime heat in the hope that they’ll continue to grow.  Otherwise, it’s clean-up time.  This was a great year for wild asters.  By the end of summer, it was hard to walk in the yard without pushing them aside.  Many of the plants grew over five feet tall.

Jim’s been pulling them, and after making several shirts unwearable because of the amount of aster seeds that stuck to the fabric, he’s decided to dedicate one shirt to this job.  He’s also dug our first compost trench, and a lot of these plants will go in there to become the basis for next year’s soil.

Hmmm… This reminds me…  Now that we’ve had frost, we really need to dig the Jerusalem artichoke tubers.  We store these in a bucket of loose dirt.  Over the next couple of months, we’ll add them raw to salads, or toss them in to bake with chicken.  Raw, they have a texture a lot like water chestnuts; cooked, the texture is more like a cooked carrot.

As our surroundings shift from summer into autumn, with a few days that distinctly feel like winter, I’m shifting from writing to editing, with some forays into research and development.  Wolf’s Soul has now been read through by me twice (once on my computer, once printed out and marked with a red pencil).  I’m currently making hundreds, quite possibly thousands, of small changes.  Then Jim get his reading copy.

I’ve also been thinking a lot about the next Stephanie Harrington novel.  (For those of you who missed the news, David Weber and I have signed contracts to write three more.)  Weber and I have worked out the main plot element.  Much of my creative process right now involves working slowly backwards, creating story elements, especially about characters, that will help make the story “real” to me.

It’s fun.  Demanding, but the sort of challenge I really like.  I see a trip to the library in my immediate future…  But first, more manuscript grooming.  Catch you later!

The Ritual of Not

October 30, 2019

Ritual Objects

I’m currently deeply immersed in my first full read-through of Wolf’s Soul, aka, Firekeeper Saga 8, aka, the sequel to this July’s release, Wolf’s Search.

As such, I do not have many lively tales to tell, so I tossed out a request for suggestions as to this week’s WW.  Almost immediately, I received two, which I will hereby intertwine with each other.

One, from writer and poet Mab Morris, asked me to talk about some of the difficulties involved in self-editing.  The other, from artist (and sometime writer) Elizabeth Leggett, asked me if I had any autumn writing rituals.

I don’t really have any seasonal rituals—except for coffee and chocolate.  Since coffee and chocolate have been a part of my writing routine since the writing wasn’t even fiction writing, I’m not sure if that counts as seasonal.  Let me take you spinning back in time…

It’s the mid-1980’s, when I was a full-time graduate student at Fordham University.  My first two years I held the Henry Luce Foundation Fellowship, which made me a research assistant, and sometimes teaching assistant, to John Dzieglewicz, S.J. My second two years, however, my scholarship involved my teaching several sections of English Composition.

So, there I was, taking classes, teaching classes, grading papers, and, at the end of the run, preparing for doctoral comps and writing my dissertation.  All at once.  Really.  I had four years of scholarship, and I going to waste any of it.

I was pretty poor, too, but my budget extended to coffee.  Then, by a stroke of great good luck, in a discount store I stumbled on a failed attempt to release some sort of dark Swiss chocolate in fat little bricks.  I have no idea why the release failed.  The chocolate was good: dense and heady.  I bought all I could lay my hands on and used it to fuel me as I charged through my demanding schedule.

Overall, I try to avoid getting trapped by writing rituals, because I’ve seen too many writers unable to function without their private gimmicks.  I’ll admit, though, I’ve kept this particular energy-booster, little reward, right up until the present day.  These days, dark chocolate-covered almonds, just a few, along with a mug of black coffee both start my day, and provide my mid-afternoon pick-me-up.  I can write without these, but I’ll admit, I look forward to them, especially at times like now when I’m self-editing.

The biggest difficulty in self-editing is staying sharp.  After all, I know what I meant to write.  The problem then is making sure I’m seeing what’s written on the page, rather than what I thought I wrote.  Making matters more complicated, I don’t do writer’s groups, so there’s no one but me to look at the work-in-progress.  I want to give Jim—my ever-patient first reader—as clean a manuscript as possible, so he can focus on the story, not on the typos.

I’m serious about that.  Ideally, a beta-reader should be able to focus on the story, not on proofreading.  The brain really does have different modes for editing and, for getting lost in a story.  Too many errors, and I lose Jim’s very valuable feedback as to content.  Sure, it’s nice to have him catch typos and all, but I’d much rather learn if the story is enthralling and captivating.

In order to stay sharp, I break my proofing sections into multiple little “bites,” rather than long marathons.  I do my first read-through on the computer screen, my next on a printed copy.  I seem to see the words differently in each form.

Maybe this two-stage proofing constitutes another ritual?  Or is it a ritual when it’s practical?

On that note, I’ll close. If you posted another suggestion for a WW, I’ll keep it in mind for the future.  If you didn’t, but you have a suggestion, please feel free to make it in the Comments.  Even if I can’t come up with an answer right away, I keep a list of suggestions for WW.

Now, off for one more nibble on the manuscript before I call it a day!

I Said It All

October 23, 2019

Fred Poutre, Me, and Michael Kilman Discuss Mythology

I said it all this weekend at MileHiCon 51.  Seriously.  So right now I’m really stretched for things to say.

On Friday the topic was Urban Fantasy, what it was, what it is, what it might become.  I read from my Asphodel, part of the scene with the creepy cherubs and the cathedral.  Fun.

Later, much chatter with friends old and new.  Went to bed still vibrating from all the talk.

On Saturday, we started with the KaffeeKlatch, because why not?  Before I’d finished my coffee and bagel, I’d discussed art, representation, and the distinct possibility that maybe, just maybe, Milton’s daughters might have played an active role in the composition of Paradise Lost.

After a lovely panel (see photo) discussing “Building New Gods: Mythologies in SF&F,” I ended up talking for an hour with a Jesuit brother about how mythologies are developed.  I was so very glad I’d recently re-read Will Durant’s Caesar and Christ, since that meant I had my data points fresh.

Then I went off to a fun panel on how hobby activities can feed your creativity.  Carrie Vaughn was there costumed as the angel Aziraphale from Good Omens, and I did kumihimo with beads live.  Our other panelists were a costumer, and a nurse who kept insisting she didn’t do hobbies, but kept giving examples that proved her wrong!

Somewhere in there, we met the local chapter of the Royal Manticoran Navy (sometimes known as the David Weber fan club), and were made very welcome indeed.

Later still there was the mass book signing.  (I’d also done a signing Friday night).  That evening we had dinner with one of the author GOH’s, Marie Brennan.  After dinner, we sat up with Marie, discussing gaming and other things, as one does at these events.

Sunday we KaffeeKlatched again, during which we had the chance to meet and chat with the other author GOH, Angela Roquet.

After coffee, we let ourselves go watch some panels.  The thing about a good panel is that afterwards you want to talk about the new ideas.  Happily, we found several interesting folks with whom we could chat, including New Mexico friends David Lee Summers and Elizabeth Leggett.  One minor regret is we couldn’t be in two places at once, because I would have liked to sample the re-boot of the Fruits Basket anime.

Mid-afternoon I gave a talk on finishing Roger Zelazny’s two unfinished novels: Donnerjack and Lord Demon.  The audience wasn’t very large, but it was wonderful.

Later still, we went out to dinner with David Boop, editor of Straight Out of Deadwood, in which I have a short story, “Doth Make Thee Mad.”  If you’re short of ideas for your themed Halloween party, I would like to recommend “Weird West.”  You can get ideas for costumes from the stories…

Eh…  This really isn’t doing justice to the weekend.  Busy.  Lively.  Chatty.  Framed on either side with long drives through mountains and plains.  We saw antelopes, hawks, a bald eagle, and a squirrel who reminded us of our kitten, Mei-Ling.  Something about how it ran with its tail straight up in the air.

And here I am.  Still beat, because I probably talked to more people in three days than I usually do in a month.  Feeling happy, because I didn’t meet a single person who was even mildly annoying.  Happy, too, because when my head stops spinning, I’ll be back to Wolf’s Soul and immersed in my writing, which is one of my favorite places to be.

More Weirdness Than You Can Imagine!

Quiet? Not So Much.

September 18, 2019

Reference Notebook, Recorder, Leather Tag

I should really give up planning on quiet weeks.  That’s what I intended for last week.  Quiet artistic meditation so I could mentally sort through the details as I moved into the final stages of Wolf’s Soul, the sequel to July’s new Firekeeper novel, Wolf’s Search.   The week didn’t work out that way.  Mind you, why it didn’t work out wasn’t bad…

I knew in advance Monday would be busy.  Not only did I have my usual Monday Chaos, Scot Noel and I were interviewed by the Sci Fi Saturday Night podcast.  We talk about a lot of things, including DreamForge magazine, projects to come, and my life in the desert.  It was a lot of fun.  You can tune in at http://scifisaturdaynight.com.  You’ll want talkcast 423.  Bonus: You can see a great older photo of me…

Tuesday I turned the tables and interviewed Hugo Award-winning artist Elizabeth Leggett over coffee, chocolate, and cats at my house.  The reason for the interview is that I’m writing her program bio for MileHiCon.  However, there was so much great stuff that I couldn’t fit into the program piece, I decided to transcribe the whole thing.  Since we talked for an hour and a half, the transcribing took a while.

By Wednesday, though, I had enough material to write the MileHiCon piece, which I did because…

Thursday, Jim and I had promised ourselves a full day at the State Fair.  We did and had a wonderful time seeing more animals, more art, and eating a weird variety of food not good for you. We hit one of our favorites—the “Home Arts” aka “Hobby Building”—after the schoolkids had gone home.  This led to my having made for me the magnificent leather tag you see in the picture.

The tag was made by artist Paul Q. Starke.  Before you sniff and say “So what?  I did leather stamping in grammar school!” let me tell you that just the wolf took at least twenty really hard strikes with the mallet to create that deep impression.  Lots of the lines—including the moon­—were drawn freehand with hammer and chisel.  I was absolutely awed.

Thursday we also ended up having an impromptu dinner with our friends Yvonne and Mike, which got us home rather later than planned.  And in the mailbox what should I find but…

A big fat envelope containing the contracts for three new Star Kingdom books featuring Honor Harrington’s ancestor, Stephanie Harrington, a lot of treecats, intrigue and adventure.  For those of you who don’t know, there are already three books in the series: A Beautiful Friendship (written by Weber solo, but with me in the background as consultant), Fire Season, and Treecat Wars.

The new novels don’t have titles yet, but we’ll be picking up with Stephanie at sixteen, shortly after the events in my yet unpublished short story, “Deception on Gryphon.”

Would you be surprised if I told you I was so keyed up I had trouble sleeping that night?

So, instead of Friday being a quiet day to meditate and maybe do some crafts, I ended up reviewing and signing contracts, then sending Weber e-mails to continue the discussion we’ve been having on and off these last few months.

This week I’m not even going to pretend is going to be quiet.  I have that interview to finish transcribing.  I have another interview to get started.  Doubtless Weber and I will refine details on Stephanie’s next adventure.

And, no, I haven’t forgotten.  I need to finish writing Wolf’s Soul, so that you can dive into the complicated tale of exploration and intrigue begun in Wolf’s Search.

I’d better get to it!

Creative Coolness

September 11, 2019

Creativity Takes Many Forms

This past week was special because it brought two of my favorite opportunities to immerse myself in cool creativity: the New Mexico State Fair and the third issue of DreamForge magazine.

DreamForge readers, no worries.  I’m not going to provide any spoilers, but I am going to remind readers that this issue contains the first ever Firekeeper short story.  It’s called “A Question of Truth,” and is set shortly before the events in the newly-released Firekeeper novel, Wolf’s Search.

As with all DreamForge stories, “A Question of Truth” is non-dystopian.  As with all Firekeeper stories, the perspective is Firekeeper’s own.  What a wolf thinks is right or wrong can differ greatly from what a human would.  Moreover, Firekeeper and Blind Seer are very unusual wolves.  Part of my joy in returning to writing about them is considering how they’ve changed while keeping their own strong assurance of who they are.

DreamForge is available only by subscription, but you get a lot for that subscription, including  the option to sign up for a free digital subscription to Space and Time magazine.  Details are available at the DreamForge website.

I know that for a lot of people the words “State Fair” conjure up crowds, carnival rides, and overpriced junk food.  For me, the State Fair is closer to the harvest festivals of old.  I rarely make it onto the midway at all and, if I do, it’s to look at the carousel.  While I’ve been known to try some of the food weirdness (a deep-fried Snickers bar, for example), I’m more likely to be indulging in a cup of coffee and a slice of homemade pie at the Asbury Café, a long-time tradition run by a local United Methodist Church.   This year I had blueberry-rhubarb.

When I go to the Fair, I’m there to look at animals, plants, and art, in no particular order.  If I was absolutely forced to choose a favorite building, it would be the hobby building.  This is where you can find arts and crafts ranging from woodworking to needlepoint to rock collecting to photography to baking and canning to quilting and sewing to doll collecting to Lego constructions to leather work to stained glass to beading…  Well you get the idea.  These are all on display under one roof.  Often there is someone there to tell you all about their particular favorite or to give a demonstration.

Wait!  Maybe my favorite thing is the rabbit and poultry show.  The bunnies and chickens have a new building this year.  We walked all over until we found it.  (For some bizarre reason, there were no signs telling visitors where to go!)  It’s down at the western end of the dairy barn, inside the barn, in case you’re wondering…

Then there’s Sheep to Shawl, where you can watch a sheep being sheared, see demonstrations on how the wool is cleaned, carded, spun, dyed, and then transformed by a wide variety of techniques including knitting, weaving, crochet, and felting into everything from hats and gloves to toys and, of course, the promised shawls.

Then there are the art shows…  Not one or two, but at least five, if you count the school art, which I absolutely do!

I could keep listing, but lists don’t really capture how wonderful it is to be on the fairgrounds, surrounded by creativity in its many and varied forms.  I come away every time impressed and awed and just generally happy.

We’re going back on Thursday to see what we couldn’t manage on our first trip.  I can hardly wait!