Archive for the ‘My Stories’ Category

Not Teasing

October 10, 2018

Growing Obsession

Somehow I doubt that if you’re reading this, you want to know how much rain we had on Sunday (about two tenths of an inch) or how many tomatoes we picked yesterday (about a quart of cherry tomatoes and another quart or so of romas), or how the pomegranates are doing (very well, we’re harvesting two or three every other day).

These things are very important to me.  Weather and the garden are two of the foundations of my life in autumn.  Another is pet care.  Another is…  Well, the point is, what I figure you check these Wanderings out for mostly is news about my writing.

This impression is confirmed by how “hits” go up markedly when I talk about some aspect of my work.

I’ve been writing a lot but, since I’m not one of those writers who wants to share every detail along the way, I’m caught in a bind when it comes time to write a Wandering.

Some people have commented that I’m a “tease,” when I comment that I’m busy writing or that I just finished an exciting scene, but don’t share anything about the content.  The reality is, I’m not teasing.  A tease is trying to get a rise out of those teased.  I’m not.  I’m just reporting the facts.

Why don’t I like to talk about a work in progress?  Because the story is evolving as I write.  Unlike, say, my good buddy, David Weber, who had a pretty firm idea where the Honor Harrington story arc would end way back when he started the series over twenty years ago, I really don’t know where Firekeeper, Blind Seer, and the rest are heading.  I’m on the adventure with them, a ghost chronicler hovering along behind, transcribing like crazy.

But the process isn’t that linear.  Sometimes while I’m writing a scene, I realize something about a character that gives him or her a lot more dimension.  When I’m polishing my rough draft, I’ll slide in some of this information.  This is one reason I don’t workshop works-in-progress, and rarely do readings from unfinished works.  Until the exploration is complete, I myself don’t know what’s going to happen.  What happens later may change the details I preserve.

When I stopped writing last Friday evening, I had no firm idea what Firekeeper, Blind Seer and the rest would encounter next.  On Monday morning when I sat down to answer the weekend’s accumulated e-mail,  I suddenly realized what Firekeeper, Blind Seer, and their companions were going to see when they moved along a particular passageway.

Sound crazy?  I guess it would to some people, but I bet it doesn’t to everyone.  The creative process is as varied as are those who create.  Mine has worked for me for a good number of books now, so I hope you’ll bear with me.

Ask me about the teppary beans!  I can tell you all about those.  Maybe next week?

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Emotional Continuity

September 19, 2018

Elephants Remember

News Flash! Editor Deborah J. Ross interviewed me about writing, my story in the forthcoming issue of Sword and Sorceress and other things.

In it, I touch on how negative influences have had a strong impact on my writing.  Here’s an example.

Last week, I took a week off writing to immerse myself in various aspects of the Firekeeper universe before moving into the next part of the story.  One of the complications about writing the seventh novel in a series is how easily it is to gloss over small details.  Add to this that I haven’t written a Firekeeper novel in over a decade and the complexity grows.

By coincidence, my pleasure reading included a series I am enjoying very much – especially for the evolving relationships of the central suite of characters.  I’m not going to go into details, but something I read made me think about an often neglected element of continuity – emotional continuity.

When something traumatic happens to a character, something that is key to a great deal of the action of that particular book, and then in the next book, something similar (but not identical) happens, I expect the characters to comment, to remember.  When they don’t, my sense that the characters are “real” suffers.

I’m not saying that the author must provide  a full recap of past events, not at all.  However, real people remember what happened to them and those memories influence how they act in the future.  Indeed, one could argue that our core self consists of an accumulated suite of experiences.  Whenever something new happens, we seek to understand it by relating it to what we have experienced before.  When something recurs, the most common reaction is “Here we go again!”   Even new experiences are often understood by how they relate to past ones: “I’ve had milk chocolate with fruit and nuts, but never with chile pepper flakes!”

The importance of emotional or experiencial continuity is one reason that senility is such a horrible thing,  not only for the sufferers, but for those who love them.  The person you once knew is vanishing, in part because he or she cannot make those little connections to past events that are the heart of identity.   PTSD is another side of emotional continuity.  In this case, rather than remembering too little, the person is subjected to remembering too much – even to having traumatic experiences “flashback,” contaminating what in reality is a pristine or unconnected situation.

When I’m writing stories featuring continuing characters, what’s most important to me is to establish the sense that the characters have emotional continuity.  To me that’s more important than dates or order of events.  After all, humans do forget such details.  We’ve all had those discussions as to whether it was two or three summers ago that Uncle Joe got that horrible sunburn.  The sequence of events is less important than what those events did to us, and how our future actions are influenced by them.

Another element that goes into writing believable emotional continuity is making sure everyone doesn’t react the same way.  Let’s go back to Uncle Joe’s sunburn.  Uncle Joe is going to remember the pain, and maybe how dumb he felt for forgetting to renew his sunblock or for falling asleep out on the beach.  Aunt Reba is going to remember not only her concern for Uncle Joe, but the fact that their long-planned anniversary outing ended up cancelled.  Cousin Buck is going to remember how annoyed he was because Dad getting sick meant he had to call off the date he had with the pretty lifeguard.  And so on…

When I read a book in a series where the characters seem to remember events perfectly well, but not react to current events in light of past experiences (especially when those experiences were traumatic), my sense that they are real begins to ebb.  When they start reacting in light of events from decades before, but seem to forget what traumatized them two years ago, then I feel the fingers of a plot-driven author stirring the pot, rather than feeling the characters actually exist.

Does this ruin the read for me?  Not necessarily, but it definitely makes me acutely aware of how I don’t want to do that to my characters – or to my readers.  In thinking about what bothers me as a reader, I strive to become a stronger writer.

Now…  Off to write!

Absurd, Hopefully Not Impossible

September 12, 2018

The Front Page of My Bullet Journal

Last week, after I announced the publication of a new e-book edition of Brother to Dragons, Companion to Owls, a fan e-mailed me and politely asked for an update on the forthcoming Firekeeper novel.  Her e-mail expressed concern that the fact that I was doing other projects meant that I’d lost interest in or was stuck on the Firekeeper novel.

I’m here to reassure you that this is not the case.  It’s actually the opposite.  Simply put, the project has grown beyond my earlier expectations.

Initially, my intention was to write a short Firekeeper novel.  Well, I both am and am not doing that.  The story turned out to be a lot more complicated than I anticipated.  Is anyone other than me surprised about this?  So definitely more Firekeeper is on the way.  Stay tuned for details as I have them.

In the meantime, please try some of my other works.  My newest is the somewhat surreal Fantasy, Asphodel.  I’ve also produced new e-book editions of all six of the original Firekeeper novels, as well as my older novels When the Gods Are Silent, Smoke and Mirrors, Changer, and Changer’s Daughter.  Some of these are also available in print via my website bookstore.

Prefer short fiction?  My collection Curiosities is available in both print and e-book.  Looking for advice on writing?  Try my Wanderings on Writing.

As you can see, “Jane Lindskold” is more than a one-flavor author.  I hope that no matter what your favorite of my flavors is, you’ll try another.  You might be surprised by how much you like it.

So, although I’m laughing at the absurdity that my “simple” project has turned out to be a lot more complex, I’m also here to reassure you that it’s not impossible – just that the timetable has changed a smidge.

PS — The Absurd Tiger is by Rhari, whose Sandshadow portrait I featured a couple FF ago.

 

Brother to Dragons, Companion to Owls: New E-book Now Available!

September 5, 2018

New Cover: Art By Patrick Arrasmith

If you’re on my mailing list, you may have already heard about this, but never fear: This Wednesday Wanderings contains fresh material!

I’ve just completed a fresh e-book edition of my first published novel, Brother to Dragons, Companion to Owls.  The cover art is by Patrick Arrasmith.  I loved his stark black and white cover for the Tor/Orb edition, but I must admit, I love this color version even more.

The new edition includes the essay, “Pride of Place.”  This essay includes details never before revealed about the writing of Brother to Dragons, Companion to Owls.

The new ebook is available for purchase as a mobi file for Kindle.  You can also get it as an epub file at Nook, Kobo, i-Tunes, and Google Play.  Still prefer print books?  I have copies of the Tor trade paperback available for sale at my website bookstore.  If you order a trade paperback and want to read the new essay, let me know and I’ll print you a copy and send it with the novel at no additional cost.

Here’s the cover blurb:

Sarah talks to her rubber dragon.  She also talks to walls, paintings, and other inanimate objects.  She has incredible difficulty talking to humans.  That makes her crazy, right?

What most people don’t bother to discover is that when Sarah talks to inanimate objects, they answer.

Tossed out onto the streets from the mental institution where she has lived most of her adult life, Sarah is adopted by Abalone, a hacker whose home is the weird and wild industrial Jungle ruled over by Head Wolf.  But Sarah’s idyll with her new Pack can’t last.  Someone is searching for her – and not even the Pack can protect her from those who know her secret and plan to use her gift for their own dark ends.

Of all my novels, Brother to Dragons, Companion to Owls seems to appeal to the largest crossover audience drawn from my readers – no matter whether you first encountered my work through the Firekeeper Saga or through the athanor books or perhaps through my collaborations with Roger Zelazny or David Weber.

Here are snippets from a couple of reviews from when the book was first released over twenty years ago:

“…a quest which grows increasingly dark, sophisticated, and intellectually challenging even as it reveals deep roots in the mysteries of family and identity.  …Even hardbitten SF fans with an allergy to dragons and magics of all sorts should set doubt aside long enough to give this excellent book a try.  It’s a strikingly original work from a worthy new heir to Mary Shelley.”  Locus

“Lindskold has invented a remarkably original science-fiction idea – a literal version of the philosophy of animism… a well told novel possessing depth of characterization, textured language, a captivating setting and themes vital to contemporary society.”  Telluride Times-Journal

Tantalized?  Nostalgic?   I hope that whether Brother to Dragons, Companion to Owls is already an old favorite or is a book you have yet to discover, you’ll think about giving it a read or, at the very least, sharing the news

Thanks!

Toby the Frog

August 29, 2018

I Read Aloud While Matt and Bob Listen

For those of you who didn’t get enough of me talking this weekend at Bubonicon, this Saturday, September 1, I will be giving a presentation for Southwest Writers.  My topic is “Work Habits for Successful Writers.”  It will be followed by a Q&A.  Bring your questions, the more difficult the better!

Some of my books, including my non-fiction Wanderings on Writing (which talks about writing the art, craft, and lifestyle) will be available for purchase.  I will also have copies of Asphodel, which sold out early in Bubonicon’s Dealer’s Room.

My talk is open to the public, and you can get details as to location here.  A small note: The meeting starts at 10:00 a.m., but I will not go on until sometime closer to 11:00.  There is a business meeting before.  You might enjoy attending the meeting as a window into an active writer’s group whose offerings include, among other things, lectures and conferences.

As I mentioned above, this past weekend I attended Bubonicon.  For the second year in a row, Bob Vardeman, Matt Reiten, and I offered ourselves as victims – oops, I meant “participating authors” – in the Snack Writes writing exercises panel, hosted by Josh Gentry.

How it works is like this.  Josh provides a short prompt, then we have five minutes to write what we can in that time.  Audience members are encouraged to do the same.  Then, after time is called, the panelists are required to read what they have managed to write in that time.  (That’s why we’re the victims.  We don’t get to bow out.)  Then audience members are given the choice to read what they have come up with.  Usually, several bravely take the option.

What amazes me about this exercise is how different the responses are.  Let me give one example.  For this one, Josh asked the audience to come up with a genre, a character, a setting, a prop, and a line that had to be used in the course of the story.

The audience gave us the following: medical mystery, Toby the Frog, library, candlestick, and “What the…”

When I started writing, my thought was that surely everyone’s pieces would be very similar.  Weren’t the choices obvious?  Well, about the only thing that recurred was that the library was dark, thereby requiring the use of a candle.  Otherwise, the little pieces were wildly different.

I’ve met a lot of would-be writers over the years who defeat themselves before they get started because they fear they have nothing unique to offer.  A group exercise like this one is very encouraging, since it shows just how different people’s life experiences shape how they will approach the same creative stimulus.

Here’s what I wrote:

“What the…”  Joe’s voice trailed off in barely concealed shock and disbelief.

The library was dark except for the light from a single candlestick that illuminated the body of Asby, the young and overly-eager medical student.  Toby the Frog stood over her, a long needle in one webbed foot, a scalpel in the other.  His wide mouth hung open and he was laughing maniacally.

“Toby!  What have you done?”

“Huh!  See how she likes being pithed!  Wait until I slash her open and examine each of her organs, commenting snidely on her dietary habits and the health of her liver.”  [Time called]

For me, the combination of medical mystery and Toby the Frog came together with a traumatic moment from high school biology.  Even as I was writing my piece, I’m thinking: “Everyone is going to do pithing a frog or dissection.  I mean, it’s the obvious link between ‘medical’ and a ‘frog.’”  Guess what.  No one else even came close.

So, just remember.  You’re a unique voice.  That’s becoming harder to value in this day and age when it’s considered smart to pitch your work by comparing it to someone else’s work.  If that’s what you want, fine.  But feel free to feel to present yourself as original, too.  After all, you are!

Rough Writer Up San Story Hill

July 25, 2018

This last week was an interesting one for writing.  Tuesday was pretty much devoted to catching up from being away.  Wednesday, Jim went to his office in Santa Fe, and I settled in to write.

My Faithful Assistant: Kel

My intention before I left had been to take Wolf’s Search (aka Firekeeper 7) to the end of a key scene, then switch over to working on my Weird Western short story, which I had been encouraged to expand.  Pre-trip planning had taken more time than I’d anticipated, and I’d left that scene in Wolf’s Search uncompleted.  Happily, upon our return, it remained very vivid in my imagination, so I was able to slide in and write what I needed.  The scene is rough.  The prose will definitely need polishing, but it’s there.

Thursday’s plan to get back into my short story was going well until, literally between one breath and the next, my throat prickled and became extremely sore.  Within an hour, I was sniffling, sneezing, and coughing.   My head became very, very cloudy.

(Aside: In case you wonder, the problem turned out to be smoke from myriad wildfires in the area.  I have asthma that’s managed most of the time, but sometimes air quality becomes an issue.)

One of the problems with being a writer is that it requires having a clear head.  Okay.  I’ll clarify that. (Pun intended.)  I need a clear head.  I’ve never understood accounts of writers who function when drunk, stoned, or whatever.  I don’t even like to function too hyped-up on caffeine.

But one thing I will say for me: I’m determined.  After making sure I hadn’t forgotten to take my asthma meds (I hadn’t), I made a pot of lemon-ginger tea.  While it was getting good and strong, I drank a cup of coffee (caffeine is a bronchial dilator) and went back to work.  At the very least, I figured I could refamiliarize myself with the short story and work on lesser points that would lead into the expanded portion.

It was a battle, but I managed.  Eventually, I did retire to the sofa to stare at the ceiling and think, but at least I hadn’t given up.

By Friday, my throat was no longer as sore, but my voice had dropped into deeper octaves and was distinctly croaky.  Although my head was not as clear as I would have liked, I decided I could think, so I returned to my story.  I had the expanded plot arc firmly in mind and was concerned that I might lose it if I waited.  I did a lot of backing and forthing, but when I shut down, I had all the main points written.  Even better, I felt very enthusiastic about the story’s new shape.  Now I was to the point where taking a break was the best thing for the story.

Thinking back over the experience, I’m glad I’ve trained myself to write rough when I must.  This doesn’t mean that I’m not picky about my prose.  I am very picky.  As I said on one panel at Congregate, even when I’m writing a long novel, I write lean.  Some writers delight in having their effort show on the page.  I’m the reverse.  I want to vanish from my stories.  I don’t want readers to say, “Oh, nice phrase, Jane!”  I want them to feel the story has taken them somewhere else, where I don’t exist except as a the doorway that took them there.

So, this week one of my jobs is reviewing what I wrote, smoothing and grooming.  I’ll read extra carefully.  If my still-croaky throat will let me, I’ll read my final draft aloud, because that’s the best way to catch any lingering problems or limping prose.  Is this a lot of work?  Sure.  Might I have written faster if I’d just waited?  Maybe.  I also might have lost the inspiration, and finding it again might have taken a lot longer – if it happened at all.

Why I Write Both

June 6, 2018

Right now my work schedule is complicated.  I’m writing a short story on a relatively tight deadline, while I’m also forging ahead on Wolf’s Search (aka, Firekeeper 7).

The other day, a friend asked me which I liked better, writing novels or writing short stories.  The truth is, I like both about the same.  This is not the case for all writers.

Short and Long

I have friends who write novels to pay the bills, but their hearts are given to elegantly crafted short stories.  One writer I greatly admire works best at novella to novelette range.  Several writers I know can’t write short to save their lives.  Even a novella is a struggle.

For me, novels are great because they give me room to explore complicated intertwining stories.  Even when I write long – and I’ve written novels in the 200,000 word range – I don’t write “fat.”  I ruthlessly prune my prose so that even descriptions serve more than one purpose – such as giving both dimension to a character and details of an economy in the description of a meal or an article of clothing.

So, for me, writing a novel isn’t an exercise in being lazy, in not having to make every word carry some part of the story.  A novel is a place where I can tell more complex story, often one involving multiple people, each of whom has his or her own agenda.

This is one reason I find the recent emphasis on Main Characters or “MC” that has been cropping up in a lot of writing quizzes and prompts very frustrating.  To me, every character should feel as if – if you were given a chance to find out more about him or her – they would be the protagonist of their own story.  But I wander off topic.

So, why do I write short stories?

Every writer I know usually has more ideas for stories than time to write those stories.  Sometimes when I get a cool idea, I realize it will fit beautifully into a novel I’m working on.  More often, however, the idea will need its own story.  My first decision is whether that story will be short or long.

Simply put, there are ideas that are best served at a shorter length.   My “Unexpected Flowers” (recently published in Asimov’s) is under 2,000 words.  I could have turned it into a novel, perhaps an elaborate bit of literary fiction full of footnotes and clever cross-referencing as the alternate universes became more and more elaborately differentiated.  However, I don’t think it would have been a stronger story for more length.  It might well have been weaker.

In the last month or so, I have scribbled down at least three new ideas to explore when I have more time.  It’s possible one of these may become a novel, but I don’t think so.  Each one strikes me as the sort that will have more punch if told at shorter length.

Do I set a length limit when I start writing?  Usually not.  Sometimes an invitation to write for a specific project will come with an upper limit as to how long the story can be, but in those situations part of my brainstorming is coming up with a story that can be written within those assigned limitations.   If I feel the proposed story spiraling into more and more complexities, then I either put that story idea aside for another time, or I refine.

Now I’d better get back to writing.  I’ve been working on the novel earlier in the day, then the short story in the afternoon.  That may well switch, but for now, it’s a system that’s working.

Catch you later!

The Most Important Part

May 30, 2018

Completion and Inspiration

This has been a great week for feeling good about myself as a writer.

My short story “A Familiar’s Predicament” has been accepted for publication in the next Sword and Sorceress anthology.  This was a cold submission to a very limited market, so the acceptance felt very good.  I’ll let you know when it comes out.

Speaking of things coming out, my short story “A Green Moon Problem” is now live at Lightspeed Magazine.  You can read it on-line or download it.  There’s even an audio version, which I admit to thinking is pretty neat.  The “Author Spotlight” interview is worth reading, since it delves into the details of how the story came to be.  However, for this reason, it contains a number of spoilers.  Consider yourself warned and read the story first!

Later on release day, I had a foreign magazine request permission to translate “A Green Moon Problem.”  That was a nice pat on the head!

As you may recall, earlier this month my short story “Unexpected Flowers” came out in the May/June edition of Asimov’s Science Fiction Magazine.  Last week, when reviewing that particular issue of the magazine, Adam Troy Castro praised “Unexpected Flowers” in these words: “There’s the short story, ‘Unexpected Flowers’ by Jane Lindskold, unquestionably one of the great short stories of this or any other year.”

Big smile!

I also did a lot of writing.  Wolf’s Search is now nicely taking shape.  I still have a lot to write and, even after the rough draft is completed, I’ll be spending time polishing.  However, Blind Seer has stopped growling at me.  In general, I’m feeling good about the shape of the evolving narrative.

I also started fleshing out the details of another short story…

So, which is the most important of these?  While the praise for “Unexpected Flowers” was terrific, and the really positive reactions to “A Green Moon Problem” were great, and having “A Familiar’s Predicament” accepted for publication made me glow, the best part was the writing.

Why?  Because writing is something I can influence.  Next week I won’t have a new story out.  Or someone might decide they absolutely hate “Unexpected Flowers” or “A Green Moon Problem.”  Getting another acceptance isn’t really likely, although I do have another story or two out there being looked at, so it’s not impossible.  (So’s a rejection!)

But writing is something I can do that relies on me.  I’m my sole audience, my biggest critic.  I haven’t started keeping track of my daily work count because, to this point, I’ve been going back and forth, fleshing scenes out, cutting extraneous detail, writing myself notes, and things like that.  Sometimes a hard day’s work has ended up with a negative regarding words written.  But as long as the story gets better, I go to bed feeling good.

This is not saying that last week’s reminders that there are people out there I’ve never met who think my stories are worth reading don’t make sitting down to write day after day feel a little less futile.  Writing is a very solitary job.  Positive feedback, when it comes, feels good.

Now, off to do more writing!

As You Wish

May 16, 2018

A Couple Newer Offerings!

This week was filled with all sorts of cool things.  I’m going to share a couple of them.  Then I’m going to answer a request I’ve had from a bunch of people.  So, read on!

To my great pleasure and astonishment, my novel Asphodel received a terrific review from Publisher’s Weekly.   Why astonishment?  Because it’s never easy to have a book reviewed by PW and it’s even tougher when the book doesn’t have the backing of a major publishing house.  So, I’m very excited and because I’m excited, I’m going to share the review.

If you don’t like spoilers, read the first two lines, then the last line.  However, the spoilers aren’t the bad sort that give away resolutions, and one of my delights in this review is that the reviewer clearly “got” the book.

Okay…  Without further delay:

“Longtime fantasist Lindskold’s beguiling puzzle throws an inventive, amnesiac heroine into a magical world with undercurrents of forgotten trauma. An unnamed narrator awakens in a tower without any sense of her identity. Seven windows looking out on a distinct landscapes provide her only entertainment. She crafts companions by tying a pillow into the shape of a rabbit and drawing a sensible, living paper doll named Muriel. With these two friends, she projects herself in disguise into the scenes outside the tower. The trio stops thieves in an urban setting, hunts for a unicorn, rides giant seahorses, and engages in a dangerous battle with nightmarish, winged cherub heads. The narrator’s lack of hunger, thirst, and fatigue allows for endless exploration and the slow discovery of the rules of her powers. The companions’ excursions increase in daring until a visit to an Egypt full of gods and magic sparks the narrator’s desire to recollect her own identity. Searching for her past, however, exposes the bleak truth of her existence in the tower. This curious blend of fanciful vignettes, real danger, and existential mystery wends a twisting, pleasurable way through the powers of imagination.” (Publisher’s Weekly)

If you’re interested in purchasing Asphodel, you can find a full list of links (as well as some other cool stuff related to the novel) here.

On the writing front, I’m now back into Wolf’s Search, the forthcoming seventh Firekeeper novel.  Folks have asked me when it will be released and, for now, my answer is “When it’s ready.”  That said, for a variety of reasons – including the excitement about this book and wanting to get new material in your hands sooner, rather than later – I’m likely to make this book shorter than the previous books in the series.

I also have a couple of short projects I really want to work on before the shine fades off the ideas.  So there’s likely to be a lot of new Jane Lindskold fiction appearing here and there.  Running with the wolves seems to have been good for all aspects of my creative life.

And now for the request…  Several people mentioned having trouble finding the new Firekeeper ebooks, so (with the help of my pack member, Julie Bartel) I searched out links for you and am going to include them sorted by title.  All except the Amazon link will take you to where you can purchase an epub file.  Kindle, of course, requires a mobi file, so that’s what Amazon sells.

Ready?

Through  Wolf’s Eyes: Amazon/Kindle ; Barnes and Noble/Nook ; Kobo ; iTunes ; Google Play

Wolf’s Head, Wolf’s Heart: Amazon/Kindle ; Barnes and Noble/Nook ; Kobo ; iTunes ; Google Play

The Dragon of Despair: Amazon/Kindle ; Barnes and Noble/Nook ; Kobo ; iTunes ; Google Play

Wolf Captured: Amazon/Kindle ; Barnes and Noble/Nook ; Kobo ; iTunes ; Google Play

Wolf Hunting:Amazon/Kindle ; Barnes and Noble/Nook ; Kobo ; iTunes ; Google Play

Wolf’s Blood: Amazon/Kindle ; Barnes and Noble/Nook ; Kobo ; iTunes ; Google Play

So, there you are.  I hope that you will consider purchasing these e-books and/or encouraging your friends to do so.  Please remember that pirated works cost you quite a lot, at least if you enjoy an author’s work.  Why?  Because authors who cannot earn some or part of their living through their work end up unable to write because they’re busy teaching or selling real estate or whatever it takes to keep home and hearth together.

Also consider posting reviews to the various e-bookseller sites.  This encourages the bookseller to promote the work, which in turn brings new readers to the series, which in turn hopefully makes it possible for the author to earn a living.

Now I’m off to see what Blind Seer and Firekeeper have gotten themselves up to…  Good reading to you all!

New Firekeeper E-Book Editions!

May 9, 2018

New Design!

One of the projects I’ve been working on over these past many months is putting together new editions of the Firekeeper e-books.  Through Wolf’s Eyes; Wolf’s Head, Wolf’s Heart; The Dragon of Despair; Wolf Captured; Wolf Hunting, and Wolf’s Blood are all now available in new editions for both mobi and epub formats from Amazon/Kindle; Nook; Kobo; i-Tunes, and GooglePlay.

The cover art is based on the classic paintings by Julie Bell, and feature stylish, updated cover design.  The interior design is also updated, including classy new chapter headings.

Each volume contains a short essay providing a peek at my behind-the-scenes choices as I wrote the Firekeeper Saga.   Otherwise, changes to the text have been restricted to the most minor.

At this point, I don’t plan to produce new print editions, but most of the novels remain available in hardcover through my website bookstore.

An advantage of putting these new e-book editions together was that the task provided me with an opportunity to re-saturate myself in the Firekeeper universe, because I went over each book many times.   It was a lot of fun to see how much Firekeeper and her associates changed in the course of the series.  What I liked most of all was how those changes made them truer to themselves, rather than strangers to the people I started falling in love with in Through Wolf’s Eyes.

My re-immersion in the Firekeeper universe has, in turn, made me very eager to return to writing Wolf’s Search – the forthcoming seventh Firekeeper novel.   I’ll talk more about that novel when I’m closer to being done, since I’ve never been very comfortable talking about a work in process.  All I’ll say at this point is that Wolf’s Search takes place within a year of the events in Wolf’s Blood, and that Firekeeper and Blind Seer are two of the main characters.  Anything else is between me and the muse.

Finally, for those of you who have been asking for new e-book editions of my other Tor novels, be assured that these will be forthcoming.  However, I need a break from being in editorial mode.  As I’ve noted elsewhere, it can really get in the way of writing.