Archive for the ‘Writing’ Category


September 30, 2020

A Flicker Feeding in Front

Jim had total knee replacement surgery on his left knee yesterday (Tuesday, 9/29/20).  The build-up to this is part of the numerous disruptions over the last several weeks.

As you may have gathered, Jim’s not only my husband and best friend, since his retirement and, even more, since Covid-19 shutdowns, he’s taken over all the errands.

Now it’s my turn, as well as taking over everything he does around the house–which is a lot.

So, if I’m a bit slow responding to Comments or e-mails, this is why.  First priority will be taking care of him and keeping the household running, second will be writing.

The picture, by the way, is of a flicker (which is a sort of woodpecker) on the brand new bird block we got so Jim could bird watch while he’s not able to move around as much.  At the rate the flicker is going (as well as the other birds), we may need another really soon!

I’m Writing

September 23, 2020

When Life Gives You a Brick

Today’s WW is going to be short because I’m writing.  Last week was insane.  Not all bad, just insane.  This week is going to have lots of interruptions.  Next week is going to be worse.

When the going gets tough, this writer gets writing.

Not everyone’s solution.  Not everyone’s way to cope.  But mine.

So, off to another land, one I hope to someday share with you all…

Take care!

Real Writer?

September 16, 2020

Desert Four O’Clock

Long ago, at an Armadillocon, I believe, I was talking to a gentleman who, himself a published writer of mystery fiction, was also teaching writing.  Since we shared similar backgrounds—both professional writers, both had taught writing at the college level—he confided in me.

“The longer I do this, the more I wonder if we’re doing any of these people a favor, acting as if we can teach them to write.”

The funny thing about this exchange was that, by “to write,” we both understood that what he—and most of his students—meant by “writing” was “write well enough, originally enough, to be published.”

More recently, I expressed a similar doubt.  The person I was talking to immediately objected, saying that while it was true that many people lack the vision or talent to produce publishable work, that didn’t mean they shouldn’t write.

I agree… If being able to monetize a skill is the only reason to learn to do it well, then no one should sing or dance or play an instrument.  Paints should stay in the bottle.  Sketch books should never be opened.  Clay should remain in the wrapper.  Beads in the tube.

Unhappily, this encouraging comparison only goes so far because the expectations a writer will face are very different.  I do not think every person who sings, dances, plays an instrument, does some sort of craft encounters what writers always do: the expectation that to be a real writer, that writer needs to be a published writer.

Even if the writer starts out writing for the pleasure, for the excitement and diversion of creating a story, the expectation is that to “really” write, the writer needs to also publish.

I don’t know how many times I’ve been part of some variation of this exchange, either as the subject or overhearing it.

“So, you write?  Are you published?”

If the answer is “No,” “Not yet,” or some variation thereof, the dismissal on the questioner’s face is usually visible.

Therefore, from an early time in pursuing writing, the writer comes to believe that it’s not enough to write and have the pleasure of writing, the writer must also publish.

Let’s go back to our imaginary dialogue.

“Oh!  You’re published!  That’s cool.  Where?”

When the writer replies, then the cycle of interrogation continues.  Short story writers are asked if they’re going to write a novel.  Novelists are asked who their publisher is (with various rankings for small press, traditional publishers, indie pub, academic press, literary press—rankings assigned by the questioner).

(And, believe me, no one can be snobbier than an academic press author who was paid in copies to a “genre fiction” writer who actually makes a living from writing.  But that’s another topic entirely.)

Even if the writer can jump all of these hurdles, the next criteria seems to be public recognition.

“Have I heard of you?”  or even “Are you famous?”

Many years ago, I decided to volunteer at my local library.  I like libraries and, at that time, I was spending too much time alone.  I signed up to shelf read. The very nice librarians welcomed me and asked, “What do you do?”  “I write books.”  “Are you published?”  “Yes.  My first novel came out in 1994 and I’ve had a couple out since.  I also have sold a fair number of short stories, and written some non-fiction.”

Nods and smiles.  Clear disbelief.  It wasn’t until I made a gift of several of my books (mass market paperbacks from an actual New York publisher) to the librarians that they accepted me as a “real” writer.  Having written didn’t do it.  Having published did.

Another example:

I have a good friend who is a talented writer.  When she sold her third professional short story, she was excited almost more because this was her third professional sale (thus qualifying her to join SFWA if she wished) than because she’d sold it to the much-acclaimed magazine Clarke’s World or even because the story was longer than Clarke’s World usually publishes.  Nonetheless, they liked it enough to pay her full rates for a long piece.

Writing is the only art/craft form I can think of where the highest compliment people think they can pay you is to say “Wow!  This would make a great movie/television show.”

What’s weirder is that most of those people would agree that novels and short stories can tell a more complex story than any movie or TV show.  What’s the difference?  Exposure and money.

True, with the appearance of sites like Etsy, more and more hobbiests are being urged to “monetize” their work, with the unspoken hint that not only will this help pay for materials, it will make them “real” (painters, beaders, jewelers, wood workers, whatever).

But writers have been dealing with this practically since the invention of the printing press.  Heck, for all I know, from before that.

The project I’m working on right now is not “pre-sold,” which has gotten me the sideways eyes from some people.  Worse (in terms of my perceived “reality), I might go the indie pub route with it.  (More sideways looks.)  Never mind that I have my reasons for possibly making that choice.  Never mind that (as anyone who has looked at Wolf’s Search and Wolf’s Soul know) my quality control is very high.

Sigh.  I think I’ll just go write and leave the question of reality to other folks.

Pacing Oneself

September 9, 2020

You Don’t Need To Be In Motion To Be Racing

I’m not the first one to say it, nor will I be the last: Writing a short story can be a sprint, but writing a novel is more like a marathon.

For each, pacing is really important.  Last week, I wrote about how I found myself madly inspired by a short story idea, and  so wrote through my usual weekend off because I wanted to finish writing “Claim Jumped” while the inspiration was hot.

As soon as this was turned in, I pulled out the manuscript of a hobby project (working title is Library of the Sapphire Wind) that I’d been working on after Asphodel, through October of 2017.

I had to put Library of the Sapphire Wind on side because other projects had priority.  First, I got the rights back to the Firekeeper Saga and was now in a position to write the sequels I had wanted to write for years.  Then, as I was wrapping up Wolf’s Search and Wolf’s Soul, the contract with Baen Books for a continuation of the Star Kingdom series with David Weber was finalized, so SK4 had to be written.  Therefore, I reluctantly put my hobby project aside, roughly drafted at 150,000 words, but fully aware it needed further development.

During this time, I continued to put our new e-book editions of some of my backlist, including Brother to Dragons, Companion to Owl and all three of the “Breaking the Wall” novels (Thirteen Orphans, Nine Gates, and Five Odd Honors).

Now that I’m back to my hobby project, my enthusiasm is just as high as was when I was writing “Claim Jumped.”  In fact, because so much time has gone by, I’m in the midst of the delightful experience of reviewing with enough distance from the original writing that I feel almost as I do when re-reading a favorite novel.  I remember some bits, but others I’ve completely forgotten.  The urge to read to find out “what happens” (by which I mean, how a specific scene plays out) is very strong.

No matter how enthusiastic I feel, though, I’m reminding myself that at 150,000 words and growing (this project is likely to become two books, at least), I need to pace myself.  For me, that means not working through the weekend, as well as making time for hobbies and other creative outlets.

Aside: Ever since I got together with Jim, I’ve tried to take weekends off.  Losing Roger when I was thirty-two made it very clear to me at a relatively young age that one’s beloved may not always be with one.  Jim’s very supportive of my writing, but it’s important to me that he not feel imaginary people are more important than he is.

Also, I’ve learned that a few days of not actively working on a novel (although I do tend to think about the story throughout) actually makes me a better writer for the complexities involved in a multi-level storyline.  Craft time keeps my “front-brain” busy while my subconscious works on the story.

But, that said, I’m eager to get back to Library of the Sapphire Wind.  Catch you later!

Don’t Stuff Your Creativity in a Bag

September 2, 2020

Roary in a Bag

When the craft of writing is discussed, one of the points most likely to start an argument full of snooty opinions  and hot tempers is whether or not an author outlines a work in advance.

I’ve talked about this in in the past and, because I did a pretty thorough job defining terms then, I’m not going to repeat myself.  You can read it here. (Just skip the garden report.)  This Wandering is going to revisit the issue!

As I have said before, I definitely come in way over on the “intuitive” side of the sliding scale.  Honestly, I get bored if I know precisely how a story is going to work out.  Exploration along with my characters is what keeps me fresh.

But sometimes that exploration happens really, really fast.  When it does, well, I guess I could say I become one of those who outlines.

My recent slide over to the outlining side of the scale happened starting on August 21st.  I’d been offered a chance to write a story for a forthcoming “space western” anthology.  I’d tossed a few ideas into my subconscious, then pretty much left them alone while I worked on finishing the manuscript of SK4 (the fourth volume in the Star Kingdom series I’m writing with David Weber).  I handed the manuscript over to Weber on the afternoon of August 19th and was looking forward to a bit of a break before facing the next deadline.

However, Thursday night, the story started bubbling forth with so much energy I had trouble sleeping.  Friday morning, I started writing.  By Friday afternoon, I had 3,500 words.  That’s something over fourteen pages.

But here’s the interesting point, at least for me.  Usually I write complete scenes in the order they happen.  The one exception to this is when I’m writing more than one point of view.  Then I may write portions separately and intercut, although I rarely do that too far in advance in the plot.   This, however, was a short story with one point of view character.

As I was writing the opening, I suddenly “saw” the next scene. So, after I’d written as much on the opening as I needed to make sure I wouldn’t lose my sense of what was happening, I jumped ahead to scene two.  As I was writing scene two, the same thing happened.  So—after writing the establishing elements—once again, I jumped ahead.  This went on for hours.  By the time I finished, those 3,500 words were more or less an extremely annotated outline.

I don’t usually write on weekends but, apprehensive about losing this amazing inspiration, I wrote on both Saturday and  Sunday, fleshing out various scenes.  Far from getting bored, my creativity was fully engaged, I suspect because the pace kept me from thinking and re-thinking story elements.

I finished the story on Tuesday, bringing it in at something over 8,000 words.  Wednesday, I proofed, tightening up and polishing my hurried prose.  Wednesday afternoon, Jim started his read-through.  I went through and corrected the typos he found.  Then, on Thursday, I sent a copy of the story to my good pal, Paul, who loves both Westerns and SF.

Paul sent the story back to me by Friday morning with some good comments.  Once again, I polished, then sent the 8,000 word story, now titled “Claim Jumped,” off to the editor.

So, what’s the takeaway from this experience?

As I see it, it’s “Don’t get so invested in your image of yourself as a writer that it gets in the way of your writing.”  As I noted in the WW referenced above, there are a lot of people who get very superior about being “intuitive” or equally superior about “planning,” and sneer at those who write differently.

What’s important isn’t how you write, it’s that you write, as well as that, as I did in this instance, you feel invigorated and invested while you’re doing it.

Now, off for that break which—if I’m completely honest—seems to involve writing as well.

Virtual Bubonicon and a Couple of FAQ

August 26, 2020

Prickly But Lovely!

I really thought that once I finished SK4 and turned the manuscript over to David Weber (which I did last Wednesday afternoon), I’d be taking a break.  Instead, a short story idea leapt out from the underbrush and insisted on being written.  I’m still working on that now, so today’s WW will feature a couple of updates.

Bubonicon is going virtual this year, and I’m on one of the live panels.  The topic is “Creating Worlds: Fun With Flora & Fauna.”

Here’s the description:  “Okay, you’ve created your alien world. How difficult is it to fill with believable flora and fauna? Is it necessary for most or all of the fauna to be predators? Do all the plants need teeth, poison, or strangling vines? Yes, heroes need problems to overcome, but do we fill our worlds with flora and fauna for the purposes of entertaining the reader or to make everything more believable? “

We’re on at 6:00 pm, Saturday, August 25th.   Attendance is free.  For more information check out their website.

Ever since Wolf’s Search came out, and even more since Wolf’s Soul came out, I’ve been repeatedly asked a couple of the same questions.   (If you haven’t heard about Wolf’s Search and Wolf’s Soul, the two new Firekeeper novels, there is a lot of information on my newly updated website:

Q: I want a hard cover.  Where can I get one? 

A: For now, you can’t.  If you prefer print to e-books, you do have the option of purchasing trade paperbacks via

However, if there is sufficient interest in hard cover editions, I’ve spoken with a small press publisher who has agreed to work with me. One option would be an omnibus volume featuring both novels.  Another would be separate volumes, with maybe the option of a slipcase.  One thing.  Since I would be working with a small press, these would not be cheap.  They would be pretty, though…

Q: Are the Firekeeper books available as audiobooks?

A: No, they are not, nor do I intend to do them as such myself, even though I have been assured I am an excellent reader.  If you are interested in audiobooks of the Firekeeper Saga, the best way to get them is to approach the audiobook publisher of your choice and express your interest.

Firekeeper pack member Michelle Marks recently did this.  She made an appeal to other Firekeeper fans in a Comment on my Facebook page.  I’m taking the liberty of sharing her post here:

“Hi all. If any of you wish to lend your voice to mine and request the Firekeeper series on Audible, you can e-mail the request to I would love to share this series with those in my family who prefer Audiobooks. I e-mailed them today and they have sent an initial response but the more requests we have, the more likely it will be to happen. Thanks for your time!” 

Remember, publishers rarely listen to authors (because it is assumed we love our books), but they will listen to readers (who it is assumed will spend money on a product).  Speak out!  If I’m approached by an audiobook company who offers to pay me for the rights to make audiobooks, I’ll definitely be receptive.  (I’m an audiobook fan myself.)

On that note, I’m going to go finish writing my story.  Since it’s a space western, today’s photo is of the magnificent prickly pear in our side yard!  Tune in next week for some chat about the craft of writing!

Churning About

August 19, 2020

Sunflowers and Wind Chime

This week I’m completely distracted, but it’s a good sort of good distraction: I’m nearly done with the—yes, still untitled, but that gives you something to look forward to, right?—manuscript of SK4, the fourth novel in the Star Kingdom series that I’m writing with David Weber.

Jim has finished his read-through, and I’m engaged in correcting typos.  I’m also making up a list of possible titles to include in my cover letter.  I’ve finished creating five different support files.

If you’ve ever seen a pool into which a waterfall is crashing, imagine me as the pool.  The water has finished falling, but there’s a lot of churning about before the water will begin to flow toward its next point.

So, on that note, I’ll leave you to enjoy the pretty flowers!

Blanket Flower in Bloom

Unexpected Smile

August 12, 2020

Roary Admires the Cover of Wolf’s Search

Last week ended with an unexpected bit of good news.

The cover for Wolf’s Search (seventh book in my Firekeeper Saga) was one of the works included in the long list for the Chelsea Award in the Best E-book or Paperback Cover category.  Wolf’s Search is in very fine company as you can see here.

The credit for this achievement goes not to me, other than in that I had the very good sense to select a lovely piece of art, but to artist Julie Bell, who gave me permission to use her “Andre” for the cover art.  If you’re interested in owning a print of the piece, it’s available at her on-line shop.

Further credit goes to Linda Caldwell, who did the cover design, including the titles, format, and otherwise adapting Julie Bell’s art to the needs of my novel.

What else?  SK4 (the fourth book in the Star Kingdom/Stephanie Harrington series I’m collaborating on with David Weber) is now in Jim’s hands, and I’m using my “free” time to do a bunch of things to prepare for the next book.

Although these books are set in the Honorverse, they’re prequels set some 400  years in the past.  This means that, while much of the world building  must be done from scratch, it also must be careful not to violate anything in the future.  Another challenge is that this series features treecats in a more central role, which means developing an alien culture and its first contact with humans—while, once again, not violating anything that happens later.

So my current task is gathering together the results of numerous scattered conversations with David Weber, then creating reference documents.

I’m also working with my friend Jane Noel (art director of DreamForge magazine) on updating my website.  She’s doing all the pretty stuff, and I’m writing text.

Anyhow, I’d better get back to it.  Catch you later!

Don’t Be Discouraged

July 29, 2020

Roary Naps Next to Part of the Manuscript of SK4

Last week, after I wandered on about adapting my garden to the heat, I received a very humorous e-mail from a local friend who, like many people this year, decided to dive into gardening for the first time.

For weeks she had posted about buying “grow kits,” germinating seeds, sprouting plants, cutting herbs.  Then she started posting about how things were going wrong.  She’d misread the instructions as to how much room her plants would need.  The heat hit.  Everything wilted, and most of what she planted died.

She called herself a failure.  I call her a success.  Why?  Because she learned a whole bunch of things that, if she decides to try gardening again next year, will serve her well.

Learning to accept that failure is a form of success, if you choose to learn from it, applies to writing—or to any creative endeavor.  Success isn’t something that should be measured in word count or finished projects or sales or sales figures or awards.

If you measure success that way, the one thing you’re always going to be is a failure.  Why?  Because there’s always a higher bar to jump.  One day you’re going to find the bar you can’t jump—or maybe you will jump it, but only after a lot of falls.

As with gardening, success in a creative endeavor should be measured by what you learned and whether you want to try again.  Even deciding you don’t want to try again doesn’t make you a failure.  You’ve learned something about yourself, where you want to put your energies, and what excites you enough to be willing to fail again.

This week I’m immersed in proofing the rough draft of SK4, the still-untitled new Star Kingdom novel I’m writing in collaboration with David Weber.  Some people would see the many, many little red marks scattered on every single page as marks of failure, because these are all things I didn’t get right the first time.

I see them as marks of success, because they show how much I’ve learned over the years about all the aspects of telling a story, as well as that I love telling stories enough to keep learning about my chosen craft.

Bright Moment

July 3, 2020

I finished a rough draft of SK4 today.  About a 102,000 words.  MUCH polishing to do.

(SK4 is shorthand for the yet-untitled fourth Star Kingdom/Stephanie Harrington book I’m writing with David Weber.)

So… Tired…  But happy!